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- On a difficult topic, you dedicated
the book to your mom and dad.

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And in particular, you wrote, "To my
father, who died while I was finishing the

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book." What have you learned
about life from your dad?

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- To show up. To be present.
To go to work every day. To love

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creative things. He was a lawyer,
but he was also a jazz musician,

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and he did both to the best of his
abilities. To value family as

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more important than either of those
things. He was a present guy,

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I think. And, you know, he loved books,
always loved books, always loved films,

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loved music. He wasn't into video games,
but liked that we were doing weird things.

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- Was he proud of you?

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- Yeah, I think so. I hope so.
He was, for a lawyer...

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He really venerated at some
level, giving "the man" the

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finger. Like, whenever life goes crazy—

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he was always on the side of the
underdog and the ridiculous. And I

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think that, you know,
he always wanted to answer

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people back, always give the silly
comment. I certainly have taken

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that from him, to my detriment probably,
but it makes life more fun.

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He always would just say the obnoxious
thing and just didn't give a fuck.

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And that was, I think that
was probably quite inspiring.

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- So you have a bit of that in you?

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- Unfortunately so, yes. Not good at
shutting up, not good at toeing the line.

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- I think I speak for most
of human civilization that

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fortunately you have
that as part of who you

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are, because it comes
through your stories.

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- I think it made school difficult.
They sent me to this very formal school—

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that was like, it might as well
have been set in the 1870s, in the

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1990s. And, but then,
I always got in trouble

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just for... not doing anything that wrong,
just answering teachers back

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all of the time. I couldn't be quiet.

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- How often do you think about mortality?
Are you personally afraid of death?

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- Well, my father passed away in May, so a
lot more since then, obviously. I mean, I

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think about it a lot. Am I afraid of it?

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I don't know. Some days intensely and some
days not at all. I would love to stay

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alive long enough to see my kids
properly grow up and settled, of

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course, for them.
Aside from that, some days I

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feel, you know, spiritually connected
to the universe and not afraid of

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death at all. And other
days I feel like a sort of

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random piece of good luck
who's gonna get struck down by

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an angry fate and turn to nothingness,
and that terrifies me.

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- What do you think about
the nothingness? I mean,

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that- that in itself is terrifying.

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- Yeah, that is terrifying.
I mean, I tend to,

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I tend to, you know, I've spent
long periods of my life tormented by

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that stuff. The last few years,
I tend to believe there is a purpose and a

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point to life,
and that we have some kind of

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spiritual or soul-based existence.
I'm not quite sure if it matters if there

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is a God or not, we should probably
live our lives the same way either way.

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But I tend to think that,
you know, there is a metaphysical

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purpose to life and part of the,
that purpose is to, you know,

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search for the purpose.
But at other points you know, if you

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read too much science, you get wrapped
up in the nothingness of it all.

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- Also, there's a component
to your brain. When talking about

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Wuthering Heights by Emily Brontë,
you said that you have been, by

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fortune, struck with a bit
of a capacity for the

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grandiosity of feeling.
So you feel the world deeply, sometimes

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romantic, sometimes overly romantic.
You've said, I like this

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line, "Feelings may destroy you, but
they're the best thing we have." So that

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ability to feel the world, is that a gift
or a curse for you? What do you think?

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- That's a really interesting
question because it's obviously both.

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At times it's both,

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or at times it's one or the other.
When things are going well, when you feel

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alive, when you feel like you're
connected to things, when you're seeing

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beauty in people and joy
in experiences, of course it's

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it's wonderful. When you're
feeling like, you know, bereft and

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set adrift by the world and that you can't
connect to it in some way and you're lost

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and abandoned by

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God or consciousness or fate or whatever
it is, it's awful. You know, when I feel

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like

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a dreadful hack, which is most
of the time, you know, it's terrible.

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You'd rather not

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be doing this rubbish. And then sometimes
you're working creatively and it feels

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good and you feel like you're doing

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the right thing and it feels fantastic,
but that's not very often.

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- Do you think it's possible
to have one without the other?

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- No. No, of course not. When I think
about growing up to the extent that

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I am capable of growing up

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it is about accepting the bad
with the good from any situation

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or any aspect of myself. You know, going,
"Okay, it's not perfect. I'm not perfect."

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- You said you often feel
like a hack. Is that that

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self-critical part of your brain,
is that a feature or a bug?

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- That's an, I think it's that new
thing that we're gonna lean into,

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the bug feature. It's both, isn't it?
I mean, it cannot lead... That

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self-critical brain, I think lots
of people suffer from it, and I think

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the internet is designed to induce,
if you didn't have it before,

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you will have it after being online.
It clearly can become a bug

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but it also can give you drive
and a lack of complacency,

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so it can also become a feature.

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- I had a pretty intense
argument with Paul Conti, who's a

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legendary psychiatrist, student of the
mind, about this. He worked with many

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famous creative people and he
thinks that that negative

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voice is not at all needed for creative

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genius. And I thought,
"I know awfully a lot of

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creative people that have that voice."

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- I'd rather not have it, but I certainly
have lived with it this far. There's a

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danger that negativity... For me, that

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negativity and consciousness become
the same thing, you know? Sometimes I

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have to fight to not just
be perpetually negative,

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and that can be part of the human struggle
for lots of people and certainly has been

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for me. I think if you're
trying to do, you know, good

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stuff and you're reflective,
inevitably, and, you know,

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you live in this world of constant,
constant criticisms by the

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internet. Of course, you know, everyone
who ever puts something on the internet,

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be it a picture of themselves or any
kind of work they've made or whatever it

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is, is going to get 50 good comments
and one bad comment. Remember the bad

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comment. So that, and that, that becomes
fuel for the negative voice. I don't know

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anyone that's strong enough not to.
You know, we all, you know,

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at some level you should just measure
that stuff in weight, not in quality.

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But of course we just
focus on the quality.

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- And I do think in general,
as you get older,

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that's the real challenge for people. You

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can see the different trajectories
people choose to take. But it's

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easy to slip into cynicism
and negativity, into this,

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Dostoevsky's Notes from Underground,

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nihilistic kind of worldview.
I think the heroic action to

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take with time is to become more
optimistic, to see more good.

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I think that- - I agree.

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- There's probably a hero's journey
of being extremely self-critical at first,

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for the first, maybe half
of your life or two-thirds, and then,

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while maintaining some self-critical
aspects just so you stay

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humble, start to see
the good in everything around

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you, in other people, in the world,
and even maybe every once in a

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while on a weekend, in yourself.

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- I hope so. I mean, that's what
I've been, I could not be more

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cynical. I think you put that beautifully.

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- Yeah. - I could not be more cynical
than I was as a child. You know, I

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could not see goodness anywhere.
I couldn't see, you know, I don't think

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late 1970s to early
1990s England was a great,

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was a place of great, you know,
optimism and naiveté. It was

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brutal. And I was brutal,
I was brutal within it. And I

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think I've become much more naive,

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and tried to become more innocent
in some ways, and always try to

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see the flawed good in people.
You know, I've tried to, or I've

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had to force myself to be
like that because, you know,

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the other way is not fun, it's not nice.
It's not nice to not be nice.

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- As a brief aside, you had
a wonderful conversation with Ryan

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McCaffrey at LA Comic-Con.
I've been a big fan of

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his for a long time. He writes
amazing stuff at IGN and he has a great

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podcast. Everybody should go
listen to it. I really enjoyed it.

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Plus I get to attend a

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Comic-Con and just be there in the
audience. And like we were saying offline,

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the LA Comic-Con, it's the first Comic-Con
I've been to, there's just all kinds of

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real genuine nerds, good-hearted- - Oh,
it's fascinating. Yeah, brilliant.

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- It's just so much kindness and goodness

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and just simple joy in being
a fan of a thing was there.

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- Yeah, which is what
those things are all about.

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- Yeah. Okay, so let's talk about
some of the greatest books of all time.
