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- Yeah. Okay, so let's talk about
some of the greatest books of all time.

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And I should also give a shout-out
to an excellent podcast he did with Sonia

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Walger, who's a friend of yours,
but she had a great podcast.

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She has guests pick their five favorite,
most impactful books and so on.

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You picked five fiction books,
one for each decade of your life.

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For the audience, they should
go listen to that conversation.

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But you picked Winter
Holiday by Arthur Ransome.

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Second one was Wuthering
Heights by Emily Brontë.

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Then Tender Is the Night by F.
Scott Fitzgerald, The Thin Red

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Line by James Jones,
and Middlemarch by George Eliot.

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But just zooming out, reflecting back
on that conversation, what do you think,

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if an alien came, what are
some candidates for books

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that you would recommend to them?

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- Middlemarch. It's the best
novel written in English.

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War and Peace is one of the best novels
written in Russian, I would argue.

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I think both of those are...

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Because if you've only got
one book, you want a long book.

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- Yeah, true. - And then they're
both books that kind of...

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It's something I was always trying to put
into games, and you know, that feeling

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of all of life is here. You know,
you've got love, death, violence, romance,

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the whole human experience in different
ways. So I think there's something amazing

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about, you know, Vanity Fair, I used
to love the novel, not the magazine.

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Because same thing, all of life is here.

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- You also spoke highly of F.
Scott Fitzgerald and Hemingway.

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- I was obsessed by them in my 20s.

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- Yeah. - Completely obsessed.

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- As one must be. - Yeah. - Absolutely.

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- At that age, and I think them
as a double act is so amazing.

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You know, one helped discover the other
and then died first, and then suddenly

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died in obscurity and then
was rediscovered as a genius

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while the other one was still
alive and falling into decline,

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I think their relationship
is itself very novelistic.

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- That, by the way,
is a phenomenon of writing maybe no

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longer, maybe still, you know, people
like Franz Kafka who died in obscurity.

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All these writers who die in obscurity.
Nobody knows them and they

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become famous later. That is just so
interesting. That's such an interesting...

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You know, Franz Kafka.

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Kafka in particular is fascinating because
he wanted all of his work to be burned,

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like destroyed. So that,
speaking of the critical

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voice, and I think he's one of the,

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one of the best writers
of the 20th century. Of course, the

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dystopian novels are really
interesting: 1984, Brave New World.

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- Love 1984. Had never listened
to it or read it, and then I

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think I did it on Talking Book, or I maybe
read it, I can't remember, during COVID.

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I think I did both, became obsessed by it.
And it's got the elements of that

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creeping into A Bed of Paradise.
But it's so good.

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I hadn't realized how good it was.

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- Yes. - And it's so of the moment.

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- It's almost like
because of its fame, and...

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it's almost like cliché,
and you take away the character-

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- Yeah, if it were English...
And I remember the year 1984-

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and you're like, "This is..." I remember
the song. You know? It's just too much.

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- Yeah. Too much.

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- It can't be that good. And then it
was that. I came to it completely cold,

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just, "Oh, I

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should work my way through this 'cause
it's another classic I haven't read."

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And then it's incredible.

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- And the book I've read more than
any other book is Animal Farm by George

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Orwell. I don't know why exactly,
but the childlike fairy tale-telling

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of totalitarianism. - Well,
you grew up in a communist country.

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- Yeah. Maybe that's it. The roots of it.

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- You know, I remember,
I was a kid in the Cold War in

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London. And we were always
terrified of Eastern Europeans,

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"You're gonna come and kill

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us all." And then I ended up marrying
a Pole. And I was... We were... And we had

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Ukrainians, you know,
who worked for us and worked with

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us. And I was... We were sitting,
a few years ago, sitting around a

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campfire in Upstate New York,
with the campfire built by

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our old nanny's husband, who's
Ukrainian, and he'd been in the Red

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Army. I was like, history
is so strange that you end up...

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The Red Army used to be the ultimate

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enemy. And like, we're now just hanging
out with... It's like, everything changes.

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You think these things are permanent,
and they're really not.

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You know, and we face some of that now,
where you think these structures are

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permanent, and they're gonna change.

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- And you also mentioned that the three
great World War II books are The Thin Red

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Line, Life and Fate by Vasily Grossman.

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And The End of the Affair, Graham Greene.
What makes for a great war book?

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- I think World War II

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is interesting because it
affects everywhere, obviously.

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And so you can get all these different

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kinds of stories.
And there's so many good...

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I was just trying to come up with a range
of one American, one British, one

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Eastern European just to get
different perspectives. But there's so

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many amazing World War II books
around all kinds of stories. I think

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the most complete one, because it
is this all of life being there,

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probably is Life and Fate,
which is amazing.

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- It was written by Vasily Grossman.
He experienced Stalingrad firsthand.

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And there's also just a deep
philosophical component.

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- And the bit in Treblinka is one of the
most harrowing sections of any book I ever

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read. And it really, almost more than any
other piece of art around the Holocaust,

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made me feel

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what you would feel like
at that moment. I mean,

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it's just incredible piece of humanism.

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- And also, I mean, Man's Search
for Meaning by Viktor Frankl.

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- Yeah. Oh, yeah. - It seems like
that context reveals, in the most

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pure way, human nature and like what
kind of... You know, in Man's Search for

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Meaning is when everything is taken
from you, you know, the little

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remains of love for,
in this case, his wife...

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is the thing that is a
little flame that burns.

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And let's say your Grossman
is small acts of kindness,

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is the thing that allows
the human spirit to persist.

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- I love the bit in Life and Fate
when you get... Obviously, it's in this

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Stalinist period, and so they're all

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losing... They all know that what
they thought was going to be

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wonderful about the revolution
isn't going to happen. So everyone's

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scared of being killed by Stalin
'cause it's post the purges.

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But then you get these guys and they're
trapped in a building, fighting in

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Stalingrad. And so they know
at this moment they're dead

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anyway. And they get
to live like pure, perfect

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Marxist communists away from Stalin
and all his nonsense. And I thought that

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section's incredible 'cause you realize
in some ways, in all of its horrors,

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the most disappointing thing about
the 20th century, in some ways,

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was the absolute

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failure of communism. You know? 'Cause
it was such a, you know, quote-unquote

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beautiful idea and it just did
not work time and time again.

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And these people who fought
for it and then saw it not

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working, I think they're sort
of fascinating characters. You know,

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all of the revolutionaries from

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1917 that were then killed by Stalin,
which was all of them apart from

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him, him and Lenin.

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- And that was, you know, people in modern
day politics talk about communism

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like it's trivial, it's trivial
that it would lead to atrocities.

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But I don't think it's that trivial.
It's this idealism of humans.

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It's like, why, you know, why can't...
Basically, why can't we all

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get along? There's a real compassion
behind it. There's real love.

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And what you realize is

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there is... It's a real study,
the 20th century, of human nature.

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that, unfortunately, at scale,
that kind of compassion is abused by

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centralized power. So there's
a dictator always, in that context,

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given that set of technologies,
a dictator arises and does the opposite

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of what the promise
of the ideal is supposed to be.

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- Well, I think I thought a lot about that

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then because I was taught by all these
disappointed communists, you know?

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After '89, all of these
English communists, you know,

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were all like having to

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access, discovering all these atrocities
that happened. You know, so it always

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fascinated me. And then you think about
complexities or where one's own values are

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in the modern moment. And I say,
you know, without from every

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and whether either of them, what we would
call left now or call right now, does it

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have any bearing on the sort
of communist era of those words?

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And I would say probably

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not. I think things have changed.
But fundamentally, the one value that

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I would think is worth
fighting for is, whenever

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either side starts to move
towards thought control, move away.

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That's never the right outcome.
The never right outcome is, "Oh, you've

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said the wrong thing. You should be
removed now." That should never ever be

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a thing we should lean towards.

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- Yeah, it does seem like freedom,
individual freedom, is a prerequisite for

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- for happiness - for happiness,
and the flourishing of a larger society.

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So there's, like you said, 1984 is pretty.
I mean, it's a caricature.

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- But it is brilliant.

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- It's quite, it's actually also just
a good story. That's my criticism of

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Brave New World, it's just
poorly written. But I like

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Brave New World probably applies more
to the 21st century than does 1984. So,

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- I don't know. I think 1984, with the
fake wars, and the way that it revealed

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everything in it was a setup for him.

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There's something that if he could've
seen the Internet. There's something of,

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it's like an analog internet, that world
they build around the main character.
